欧洲的某个地方

影片剧情：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

影片名称：欧洲的某个地方丨影片别名：ouzhoudemougedifang丨国家/地区：其它丨IMDB评分：5.0丨影片语言：其它丨入库更新时间：2024-09-06 19:35:12丨总播放次数：323次丨资源更新：HD中字丨上映时间：1948

影片演员：Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki

影片导演：Radványi,Géza

1.电影《欧洲的某个地方》在哪个平台可以无广告全集高清在线观看？

爱奇艺网友：欧洲的某个地方高清完整版无广告免费在线观看地址http://www.ahmk.com.cn/varticle/31588.html

2.《欧洲的某个地方》是什么时候上映的？

星辰影院网友：1948 年由导演Radványi,Géza完结并申请上映的，具体上映时间可查看百度百科

3.电影《欧洲的某个地方》这个影片都有哪些明星出演？

腾讯视频网友：主要参演的演员有Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki等明星

4.网友对《欧洲的某个地方》评价怎么样？

极速影院网友：不是剧粉但有被这部电影惊喜到，不同于量产的青春阵痛片，电影从女性视角切入，用三种极具代表性的女性人生阶段作为故事的脉络线索，同时三人又是从小玩到大的姐妹淘，就此三条人物线相互纠缠交织让故事变得立体有趣了起来，有些像新篇章的电影版，总体来说还是比较可以的，看了这么多年剧情片这次是唯一来评论的一次

优酷视频网友：电影是承接电视剧继续讲好故事，整体来说情节精彩不拖拉，笑点恰到好处，美味三姐妹遇到了各自的挫折及心酸，镜头灵活处理了角色的动作协调言语，切换镜头及场景快速转换语境，顺理成章对主角的心态行动恰到其份进行了调整展现，在准备舞蹈彩排中三人矛盾爆发，好在各自找到解决问题的方法，最后三人化解姐妹矛盾，结尾还是比较完美的，只是现在找完整版的电影太难了，还好找到了极速影院

哔哩哔哩网友：我觉得这部电影真的很不错，和雪岭熊风比，他们两个突破一个剧情片大多在神话方面的改编，都是原创的作品，真的挺难得的，而且对于梦境的描写可真的要细腻的更多，BGM真的好评。画面好看的没得挑。

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